Content on this page requires a newer version of Adobe Flash Player.

Get Adobe Flash player

Content on this page requires a newer version of Adobe Flash Player.

Get Adobe Flash player


Content on this page requires a newer version of Adobe Flash Player.

Get Adobe Flash player

It’s Legend’s
‘Wake Up!’ Demonstrates The
Relevance of Yesteryear’s Songs

LOS ANGELES--The music of the Civil Rights/Vietnam Eras routinely reflected the social and economic tensions of the times.  War and financial struggles are again upon us, though you wouldn’t really know it listening to most current artists. [Read full story]

Campbell:  Model, Citizen
‘It’s Not Charismatic,’ Designer Says, ‘It’s More Powerful Than That’

NEW YORK--“I have a past,” Naomi Campbell said one day last week. 
“I’m not proud of my past, some of the circumstances I was in.  I’ve said that a hundred times.  But I admit to my past.  I own it.  I don’t deny it.  Denial is a very bad thing.” [Read full story]

Singer Says, ‘Be Positive’
Usher Revels in New Roles as a Father and Mentor

Changing Taglines
Broadway Is Seeing Benefits
Of Building Its Black Audience

NEW YORK--They thought it was about Elvis.
That’s what a focus group of a dozen Black women concluded about the musical, “Memphis,” last summer when they were asked to assess the show’s tagline, “The Birth of Rock ‘n’ Roll.”
[Read full story]A Documentary
For Lee, a New Requiem Produced for New Orleans

[Read full story]

Becoming Me
Former Secretary Of State Lauds Not-Quite Ordinary Parents

This can’t be the right place.
You would expect the home of Condoleezza Rice (the most successful Black woman in the history of the executive branch) to be festooned with mementos from her tenure under two Bush presidencies, which culminated in her role as secretary of state. [Read full story]


Weather

WeatherBug

What's On TV?

A Comedy
‘Lottery Ticket’ Comes Up a Few Numbers Short

NEW YORK--“Lottery Ticket” is no prize.
The comedy is broad, bordering on offensive, the laughs are few, and the positive message feels tacked on.  But star Bow Wow shows his early youthful talent has blossomed into a bona fide star appeal. [Read full story]

From Mali
String Band Expanding Boundaries of a West African Instrument

There were no Western instruments onstage when the Malian griot Bassekou Koyate and his band, Ngoni Ba, performed at SummerStage in Central Park  
[Read full story]

Khaki, Man!
A Leaner, Sexier Look, but Decidedly More Dressed Up Than Jeans

NEW YORK--The country may not be in the midst of a great color conciliation, what with Red and Blue paint balls flying as furiously as ever, but fashion is. [Read full story]

Men Who Share a Name Take Different Paths in Life

On a glorious spring afternoon, sunshine glitters off the bales of silver barbed wire at Maryland’s vast Jessup Correctional Institution prison complex. [Read full story

Campbell:  Model, Citizen
‘It’s Not Charismatic,’ Designer Says, ‘It’s More Powerful Than That’

NEW YORK--“I have a past,” Naomi Campbell said one day last week. 
“I’m not proud of my past, some of the circumstances I was in.  I’ve said that a hundred times.  But I admit to my past.  I own it.  I don’t deny it.  Denial is a very bad thing.” [Read full story]


Entertainment

The Marsalis Clan
America’s First Family of Jazz Presented Award

Chronicle News Services

NEW YORK--America’s first family of jazz--patriarch Ellis Marsalis Jr. and four of his sons--were presented the nation’s highest jazz honor last week at the 2011 National Endowment for the Arts Jazz Masters Awards Ceremony.
It marked the first time the NEA had ever presented a group award since it launched its Jazz Masters program in 1982. 
The other 2011 Jazz Masters honored in the concert at Jazz at Lincoln Center’s Rose Theater were flutist Hubert Laws, saxophonist and educator David Liebman, composer-arranger Johnny Mandel, and record producer and author Orrin Keepnews.
Pianist Ellis Marsalis, 76, who championed modern jazz in his native New Orleans and as an educator mentored not only his sons but such future stars as Harry Connick Jr. and Terence Blanchard, said the award had special meaning to him because he was a member of the NEA jazz panel that chose some of the first Jazz Masters in the 1980’s.
“I did get to vote for some of those who became Jazz Masters never really thinking that I would be voted at any time to be one of them,” Mr. Marsalis said.
Then, turning toward the Jazz at Lincoln Center Orchestra--with its leader, his son, Wynton Marsalis, seated in the trumpet section--a proud Mr. Marsalis said New Orleans might be the birthplace of jazz, “but we don’t have this in New Orleans.”
The elder Marsalis was then joined by his sons, Wynton Marsalis (trumpet), Branford Marsalis (saxophone), Delfeayo Marsalis (trombone) and the youngest, Jason (drums), to play Jason’s composition “At the House, In da Pocket.”
Earlier in the program, Wynton’s warm trumpet sound was featured in a performance of Mandel’s Oscar-winning song, “The Shadow of Your Smile,” with the composer conducting the JALC Orchestra.
Mandel Marsalis, 85, who went from playing trumpet and trombone and arranging for jazz big bands to become one of Hollywood’s leading film composers, said that since 2005 he has been leading his own big band for the first time.
“I never wanted to lead a band at any time, and I discovered I’m having the time of my life,” Mandel Marsalis told the audience.
Saxophonist Benny Golson, a fellow Jazz Master, introduced Mandel Marsalis as “a man who writes not only with his pen but with his heart.”
Mr. Liebman, 64, said he felt “privileged to be here” with fellow Jazz Masters who “were my inspirations, my teachers and in some cases people I’ve worked with.” 
The soprano saxophonist paid tribute to his former bandleader Miles Davis by performing a medley of “Summertime” and “There’s a Boat Dat’s Leavin’ Soon for New York” in honor of Miles Davis and arranger Gil Evans’ 1958 “Porgy and Bess” album.
Mr. Laws, 71, decided that rather than “babbling on” in an acceptance speech, he would speak through his music by playing the standard ballad “Stella by Starlight” in a duet with Jazz Master and pianist Kenny Barron, in which the flutist drew on his classical as well as jazz background.
Tenor saxophonist and Jazz Master Jimmy Heath, who recorded his first albums as a leader for Keepnews’ Riverside record label, which also released LP’s by Sonny Rollins, Thelonious Monk and Bill Evans, introduced Mr. Keepnews, 87, as a producer who “allowed the musicians artistic freedom.” 
The JALC Orchestra performed “Re:  Person I Knew” from a 1974 Bill Evans album produced by Mr. Keepnews.
Mr. Heath also accompanied Italian singer Roberta Gambarini in a special performance of “Angel Face,” a tune composed by pianist Hank Jones with lyrics by singer Abbey Lincoln. 
That was part of a poignant tribute honoring four Jazz Masters who died last year--Mr. Jones, Mr. Lincoln, saxophonist James Moody, and pianist and educator Billy Taylor.
The awards ceremony was broadcast live by Sirius XM Satellite Radio, WBGO radio and NPR Music, which brought this year’s concert its biggest audience ever, said NEA Chairman Rocco Landesman. 
He also announced a $250,000 grant 15 arts organizations to present concerts featuring Jazz Masters--each of whom also receives a one-time $25,000 fellowship. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


HOME | ABOUT US | FRONT PAGE | EDITORIALS | OPINIONS | SPORTS | RELIGION | CHURCH DIRECTORY | SOCIAL | MUSIC | ENTERTAINMENT | EVENT CALENDAR | PHOTO GALLERY | FORUM | SUBSCRIBE TO THE BLACK CHRONICLE | BLOG | CLASSIFIEDS

Content on this page requires a newer version of Adobe Flash Player.

Get Adobe Flash player